Saturday, December 4, 2010

"I can never revisit a forest." -Ben Mirov, From Ghost Machine

I Didn’t Know You Were So Spiritual



the house please take it

out of it’s misery that’s what’s

done to animals we don’t understand

as if our money was water was

nothing we couldn’t do without but

paint it with the things we use

to dress salads and watch

just what types of things eat

Monday, November 29, 2010

"I act like myself at a coffee shop and try not to shake." -Ben Mirov, from Ghost Machine

The House, Please



tensions were running high and by

that I mean we were all in the

mood to set the atmosphere

on fire an explosive atmosphere

like dirt you spit from

your mouth in a cloud at

your neighbor you look like

space being taken up by matter

and man do you look good

doing it and my face is like a

tree is what happens at midnight

when you forget how cold your

toes can get

Wednesday, November 24, 2010

"When you asked me about having a secret, I thought it was just a form of greeting." -Kate Greenstreet, from The Last 4 Things

War



You are the conductor of a huge orchestra

it is opening night everyone sounds like

the rush of the sea you tap your baton

against the podium nobody moves

everyone continues to talk you decide to

start and everything is all wrong the tubas

sound like the trombones the trumpets like

the oboes the violins the saxophones

the cellos like birds chirping the drums cry

like babies the flutes a piano and you you

yell and emit the sound of a siren and all

the noises together produce such a

magnificent melody and it’s opening night

and the sea the sea is applauding for

you and you're helplessly confused

Monday, November 22, 2010

"The next time you feel yourself going dark in a poem, just don't, and see what happens." -Rachel Zucker, from Museum of Accidents

Uprooted



I walk outside, and a squirrel jumps down from the tree by my house, somehow carrying a pistol. It drops the pistol at my feet, and nudges me against the leg with its nose, then runs up the gutter of my house. I look at the pistol for a few moments before I bend down and pick it up. A family of white mice jumps out from under my porch, dragging a Kevlar bulletproof vest behind them. They leave it on top of my feet, and all point their noses up at me, twitching for a moment before scampering off, each in its own direction. I put the vest on, pistol in hand, and forgot what I had gone outside for, anyway. A few birds in the tree by my house open their beaks, and loud sirens emit from their depths. I hit the deck, not knowing what exactly to expect, but feeling somewhat prepared.

"She saw my face: a bright white skull." -Adam Golaski, from Color Plates

Offended



In a split-instant, everything stops moving. The train blowing it’s horn, the car turning abruptly, the squirrel hopping onto the tree, the woman and the woman spinning hand in hand, the deer bounding out of the forest, the lion close at it’s heels, owls hanging upside down, the baby flying through the air, the explosion, and me, unable to breathe, without the slightest idea of what was going on—the deafening, constant noises of that moment.

Wednesday, November 17, 2010

"Everything I plant I bury." -Zach Schomburg, from Scary, No Scary

Extended



In the middle of the night, in a dark house somewhere, without windows, covered in thick, grey vines, I call out but can’t hear my own voice. Is there anybody there. Is there anybody there. I know I’m saying this, from years of calling-out experience, but all of a sudden I’m unsure. I could have just as easily been saying is the rainy bud either or is the rent I bought in air. I continue to holler, hearing nothing of what I’m saying, and the more I consider these other options, the less surprising it is that nobody answers. And I wonder whether I’m hopelessly lost when I cry I stare in the butter, the hair.

Tuesday, November 16, 2010

"When they are soaked in blood there is no difference between one tree & another." -Mathias Svalina, from Destruction Myth

Chestnuts



I encounter more and more lunatics with each passing day. Ones that tell me about the rapture, ones that tell me about the end of the world, others that tell me business propositions, and others that tell me about their favorite ice cream flavors. They come in all shapes and sizes, but they all have one thing in common. They all look like people I’ve known, or people I’ve encountered before. I know this is a trick. Disguised, every last one of them. How do you address a lunatic? Leave me alone, lunatic. How’s life, lunatic. I’ve missed you, lunatic. I think theses things, but I can’t bring myself to say them.